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9-11 at fourteen: spectacle commodified

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9-11 still provides an occasion for jingoism and war propaganda. But the day's commodification and transformation into an empty spectacle is now even more disturbing.

Last night, this blogger visited the 9-11 Museum—invited by a friend who got free passes that evening because she worked in the area of disaster in September 2001. I certainly was not going to pay the absurd $24 entrance fee. There was also a surreal irony to the fact that entering the museum entailed a full airport-style security check, complete with X-rays, full-body metal-detector scans, complete emptying of pockets, removal of belts, and so on. And this at a supposed memorial to American freedom. Talk about the "terrorists win." The museum itself is in many ways impressive—starting with its sheer scale. It is actually built in the World Trade Center "Bathtub," the huge foundation pit with reinforced walls to keep the waters of the Hudson River at bay. These walls are left visible, loaning an atmosphere of stark industrial majesty. The Mohawk iron workers who risked their lives in the construction of the WTC are, at least, briefly mentioned. There is inevitably a lot of maudlin and/or bellicose patriotism on display, but any honest presentation would have to reflect that, and it is generally shown with a sense of objectivity.

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